I don't travel. I dwell. French by origin, Australian by choice, nomadic by vocation, I have spent twenty years following intuitive calls toward the margins,  places where stories unfold slowly, where trust takes time, and where the most essential things resist being rushed.I began underwater.

As a professional diver and underwater camera operator, I spent years beneath the surface of the Pacific Ocean documenting the silent metamorphosis of coral reefs, alongside scientists, on remote atolls, through dying ecosystems. That work led me to Chasing Coral, to Kiribati, to the Great Barrier Reef, and eventually to directing immersive VR films about coastal communities in Tonga and Mexico who chose guardianship over extraction.

Before the ocean, there was Southeast Asia : ten years of listening. To survivors of the Khmer Rouge genocide. To Burmese minorities living in exile across Malaysia, Thailand, the United States and Australian detention centres. That decade produced books, graphic journalism, and a deep conviction that the only honest way to tell someone else's story is to earn the right, slowly, over time.

Today I work in the Australian bush, as close as possible to Aboriginal communities and their knowledge. I photograph the Yolŋu fire keepers of Arnhem Land, the ghost net weavers of Numbulwar who transform ocean debris into sacred art, the rangers restoring the biodiversity of Christmas Island.My written, audio and photographic work appears in RFI, NATIVES, Animan, Rhythms Monthly, La Croix and Embarquements.

My books are published by Delcourt, Plon, La Martinière and Steinkis. My films have screened at SXSW, Cannes XR and Netflix.

All of it converges toward the same search : to reveal the resilient beauty of those who carry confidential treasures, and whose voices deserve to be amplified.